
Nestled within Dr. Sun Yat-Sen Garden, Paul Wong's Suk-Fong Nay Ho Mah (2019) immediately exudes a warm intimacy. The exhibition's opening on January 12th attracted a typical Saturday crowd to the Chinatown hallmark: tourists, families, and artists congregated within its rooms as sunlight peeked through the wood-paneled doors. Chatter is near constant, friendly; sipping on small paper cups of tea, visitors murmured between themselves and with each other. With no one but my phone, I nonetheless found myself a welcome guest amidst a gathering of familiars.