Fans of American indie rock band, Hippo Campus, gathered at Imperial Vancouver on January 18, eagerly anticipating to hear some music.
The bands performing for the night were Club Sofa, On Planets, Schwey, Dead Soft, and of course, Peach Pit.
The first act I saw was Tomato Tomato. This husband and wife duo can really hold a show. With Lisa on the washboard and John Mclaggan with his guitar, it’s hard to decide which one I liked better. When this two-piece band got together, their sound filled the main stage just as well as any other. They effortlessly kept in harmony. Appreciated by attentive sitters and active dancers, Tomato Tomato navigated their set well and maintained a positive, reactive crowd.
As irrelevant as it may seem, the first thing that struck me when Teenage Fanclub took the stage was their age. They looked like a band made up of your friends' dads. Not that it matters, but certainly most of the working bands, especially those frequenting smaller venues like The Rickshaw are made up of young people.
When I heard that Two Door Cinema Club would be headlining in Vancouver, I was hit with a wave of nostalgia. Like many fans who played the band’s first two albums Tourist History and Beacon
Every once in a while, I’ll hear a song in a totally unexpected environment that immediately grasps my full attention, and demands that I discover where it came from, so that I can listen to everything else ever created by that artist. This was how I came to love Joel Plaskett. It was Summer 2007. I was moseying around a Foot Locker in the sweaty depths of the Eaton Centre in Toronto, looking for a fresh pair of kicks, when I heard “Fashionable People” filling up the room with its peppy, infectious verses and hooks.
Entering the doors of Biltmore Cabaret, little did I expect it to be so cozy and people so friendly. Laughter and talks were heard from every corner. Occupying the biggest booth was the most-wanted band of the evening, The Courtneys, were selling their cool merchandise: pins, t-shirts and hoodies.
Cherry Glazerr has quickly become a staple in the garage/punk scene, so it is no surprise that their February 7th show at the Cobalt Hotel drew a sold out crowd. The young band is currently on tour to support their latest album Apocalypstick , which was released in January of this year.
My introduction to White Lies came from watching the 2014 indie film, A Girl Walks Home Alone at Night, where, in one of my personal favorite scenes, the two main characters come to a prolonged—but artfully poignant—slow embrace to the sound of “Death” playing on vinyl. The music works perfectly in this key moment of the film, and plays into its themes as though it were written for that very purpose. It is a transfixing bit of cinematography, and truly beautiful.