On Tuesday, March 5, The Cultch hosted the premier of Conspiracy Theatre’s Extraction, a theatre documentary surrounding oil mining in Alberta and the economic relationship between Canada and China. While the concept of a “theatre documentary” is peculiar and enticing, Extraction defines the genre and is now the standard to which similar performances should be held.
Unfortunately, that bar is now set rather high.
For anybody who is a regular fringe-goer, they have probably seen a show by festival legend TJ Dawe. He’s been touring the country’s summer festival circuit for the last 10 years or so. All his shows are one-man shows that are often comedic and inspired by life’s absurdities. But his new piece, Medicine, is vastly different than any past fringe show.
It is always when young aspiring thespians start their own theatre company. It can be doubly challenging when the actors are in their senior years. Brand-new acting company FOG Theatre Society pulls it off effortlessly with their rendition of Tom Stoppard’s “Heroes” – running at the PAL Studio Theatre until September 30. Directed by Terence Kelly and starring William Samples, John Innes and Michael Dobbin – all long-time veterans of the Vancouver & Canadian theatre scene – Heroes is a play for the ages (and aged).
I suspect that Astrid and Otto Rot are from another planet. No one is as wickedly funny as uber-talented musicians (and not just any planet; Kepler-22b to be specific.) The newly discovered planet happened to be the subject of their opening number. With Astrid looking like a 24th century Elizabeth 1 and Otto resembling a futuristic hippie, the near sold-out Cultch was quickly turning into a groove fest.
Headlines Theater does a lot of interesting work but it has also been around for a while. The company's latest offering Corporations in Our Heads was a four-night pilot that ran at the W2 Media Cafe from May 24th to 27th. In this forum theater production, on a stage lacking set, props or rehearsed actor-director David Diamond experimented with a new interactive theatrical technique.
To the orchestra, I give you my kudos. The accompaniment was stellar, the bass beautiful and not a note missed. The singing varied (did I mention this is a musical?). At times, a mic or two would have been nice, just to amplify the sound or put less strain on our performers’ voices.
by @nadatodo
Grey Gardens is a pillar of society, utter chaos, a documentary film, Broadway play, and most recently, a feature.
Fast forward to after the performance. I went home and listen to a bulk of Waits tunes. His voice is raspy, husky and at times, a parody of himself. He is eccentric, eclectic and comedic. He is gospel, and blues, and jazz, and bluegrass and folk. He is strange and yet, a skilled entertainer.
by @nadatodo
March 6th was the first of two preview nights for The Odd Couple (Female Version), staged at the Jericho Arts Centre. This was the first time I’d been to this venue, so I figure I’d kill two birds with one stone: Check out the space, and see the new rendition of a theatrical classic.
by @nadatodo | Anastasia Koutalianos
Only two months into the year and another gem hits the Vancouver stage. Only this time ‘round it is a retake on the classic The Hunchback of Notre-Dame.
by @nadatodo | Anastasia Koutalianos
“It could have been different. She had a choice.”
“So did you.”
— Quasimodo to Claude Frollo
Only two months into the year and another gem hits the Vancouver stage. Only this time ‘round it is a retake on the classic The Hunchback of Notre-Dame.
“His life was gentle, and the elements
So mixed in him that Nature might stand up
And say to all the world, ‘This was a man!’"
Julius Caesar. Packed full of symbolism, mysticism, greed, loyalty and all that jazz—it’s no wonder the play is a staple in any high school English classroom, let alone the stage. And again, no surprise then that Langara College’s Studio 58 decided to present the Shakespearean tragedy as part of its 2012 season. That is, with a twist.
